حيدر علي كاظم جبرين

This paper explores George R. R. Martin's high epic fantasy saga, A Song of Ice and Fire, through the intersecting lenses of postcolonial alterity and the social model of disability. It concentrates on two key disabled figures—Tyrion Lannister and Bran Stark—considering disability not merely as a physical or medical state, but as a condition defined and intensified by social exclusion, prejudice, and entrenched cultural values. Using qualitative textual analysis across all five published volumes, the discussion focuses on three interrelated themes- marginalization, inclusion and participation, and autonomy. The analysis shows that although Martin subverts certain genre conventions by granting disabled characters political authority, narrative presence, and symbolic weight, he also employs compensatory traits—such as heightened intelligence or supernatural abilities—to explain their centrality. By exposing these contradictions, the study argues that fantasy fiction can simultaneously disrupt and reproduce ableist narratives, offering alternative insights into questions of power, identity, and the human body while contributing to wider conversations on the portrayal of disability in literature.

Ray Bradbury explores in his dystopian novel Fahrenheit 451 (henceforth F451), the destructive side of technology and totalitarianism, which can deny individuals of their basic rights. This article gives a critical, contextual analysis of F451(1953) by Ray Bradbury. It investigates the dystopian elements to show how an authoritarian government projected in the novel that blocks mind and awareness. The protagonist of the novel is Guy Montag who takes a key role in revealing the tyrannical system and the potential consequences of disobedience. This article examines the manipulation and control of the state and its ill use of technology and its banning of books to shackle knowledge and mind. However, this article aims to show the effect of autobiographical elements, McCarthyism's censorship and the fear of communism during the postwar era and their effects on writing the novel. It also shows how in this dystopian world, an oppressive government is not successful in controlling all citizens. There are opposing characters whose consciousness is awakened and they are successful to show the failure of the system although they are becoming lonely outsiders by that system. The literature review has paved the way by providing the theoretical basis for the analysis of the novel. Thus, this short study sheds the light on how the totalitarian state affects Montag’s change, but it is demonstrating the dystopian world of the novel.

This book investigates both the common psychological and cultural points of identity crisis in Cormac McCarthy's Border Trilogy that comprised All the Pretty Horses (1992), The Crossing (1994), and Cities Of the Plain (1998). The Trilogy is a story about American cowboys set on the borders between the USA and Mexico, where the major characters face ultimate confusion in their exposure to the identity crisis of their dying culture. This Study is divided into four chapters and a conclusion.

دورة مكثفة في طرائق التدريس واللغة الانكليزية وادابها في جامعة اركنساس