احمد عبيد كاظم الغزالي

Abstract One of the characteristics of science fiction literature is the promotion of the idea of adventure in building capabilities and making the impossible possible from the logic of domination and seizure of an approach that calls for the return of the invasion and occupation of technologically advanced beings that establish a pattern of tension in relationships, as digital technology contributes to crystallizing their own ideas and contents through the space surrounding people, their clothes, bodies, and their combat tools. The lasers, animals, mythical shapes and fast-moving vehicles, both land and air, are commensurate with the narratives of the epic space opera, as it deals with tales of a mythical character with bright light reflections to confirm that the image does not convey a real reality, but rather a picture of an idea that stimulates the imagination, and the problem of the current research has been identified with the following: How it responded Science fiction literature for a virtual space opera adventure style in Star Wars movie series poster design? Does the concept of Darwinian evolution have a holistic connotation in future cities in the design of Star Wars posters? The importance of the current research has also been determined through the openness of the creative artistic work to scientific and technical laws and theories with the literary and artistic imagination unlimited, with its weak presence in the Arab and Iraqi world in particular, and the inability to achieve a balance in the concepts of originality, modernity and technological progress, and the ultimate goal is to identify literary conceptual frameworks and artistic science fiction.

Research Summary : Legend occupies an important space of the heritage of humanity, and society or civilization is not without myths linked to its heritage and culture, and legendary heroes are distinguished bone men who have exceptional qualities in terms of the ability to explain the causes, causes, beginnings and origins of natural, social and cultural phenomena, and with the development of thought the legend rose towards symbolism as a social consciousness An organizer who explains in the language of symbols a bundle of ideas expressing the philosophy of its age and national spirit for a series of historical novels that are expressed through myth guarding society from its enemies and achieving its desires and aspirations, as it is able to find growing excuses for the conflict, here the American dream is rooted in the soil of mythology, as a cultural force Effective to keep America unable to solve its problems, as steadfast and unchangeable laws, these myths came at the center of Hollywood's pioneering cinematic discourse in the American interaction with the world, a speech that justifies its allegations of difference, exclusion and transcendence and does not justify its flaws, mistakes and drowning in the sea of delusions, being produced for economic and commercial motives And marketing it within an aesthetic character that attracts the consumer by seducing it within the myths of delusion and linguistically The digital reality of a disordered and turbulent cultural reality that constitutes a local and global nightmare. Here, the following question was asked: Did the American cinematic speech contribute to presenting the truth and reality of the American dream in Rambo's pen, in its materialistic and idealistic aspect, and promoting a culture of violence? He included the importance of research based on the pursuit of the American dream in the mythology of the Hollywood cultural cinematic discourse, while the aim of the research was to uncover the myths of the American dream and justify the ideological rhetoric of an American identity that elevates the American man to establish dependency, obedience and domination. The result of the research came through the thriller Rambo, by colonizing the imagination and future of all other cultures.

Abstract : The transformations of the visual narrative come from preoccupation with the aesthetics of the artistic form and the creative presence of the artist, and the centrality of the system’s discourses and its reference to the discourses of shattering the fixed meaning, demolishing centrality and dissolving connotations in an infinite continuous movement in the sense of shifting to new imagined and potential structures closer to the assumption and the possibility of a reality that cannot be represented because it is a structure hidden behind Phenomena, so the dismantling and reshaping of reality takes place through the imagination, which may be parallel to reality or alternative to it, but it differs in its manifestations and may give us something else from knowledge, selfawareness, criticism of reality, and understanding of the world, so there is a new tendency is the tendency of rejection and rebellion, which confirms according to its own system its rejection of the year, Also, technology sought to create a new reality in which the subject contradicts the subject.